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SXSW 2009

Posted by Matt on Mar 21, 2009 in mp3, music

The options for SXSW 2009 were quite overwhelming as usual. Here are some of the great bands I’ve been cheking out this year:

Deer Tick - An excellent band from Brooklyn that is difficult to pigeon hole. Great singing and songwriting upholding my observation that all indie bands with “deer” in their name are good.

Pete & The Pirates - A very fun British punk/pop band that has a great live presence.

Easy-Star Allstars - The best Pink Floyd / Radiohead cover band you will ever experience live!

The Hold Steady No strangers to SXSW or Austin, The Hold Steady has got to be one of the best live rock bands touring today.

Heartless Bastards - An indie jewel from Ohio that played four shows at SXSW 2009. I can’t wait to hear all the great records these guys put out over the next few years.

Dead Confederate - An excellent hard rock act from Athens, Georgia.

Ume - A very fun three piece rock group from Austin.


For those of you who are still coming down from Blitzen Trapper’s show at The Moehawk last week here is a great recording of an incredible show by two of the most amazing indie bands from the pacific northwest. This show includes Fleet Foxes opening for Blitzen Trapper at The Beta Bar in Tallahassee FL. I didn’t think Blitzen Trapper would be able to top their 2007 release Wild Mountain Nation until I heard their new album Furr which is likely my favorite album of 2008. Fleet Foxes do a wonderful job of bringing their amazing harmonized tunes to a live audience. There are a couple sound flaws during the Fleet Foxes set and the taper wasn’t able to get all of it but overall this is a very enjoyable recording. I hope you enjoy it as much as I have!

Fleet Foxes are touring Australia and New Zealand right now and Blitzen Trapper’s US tour is heading out west. Do yourself a favor and go see them live!

Special thanks to Alex Leary for the superb soundboard. You can grab your lossless FLAC copy here which I will continue to seed as long as there is a demand.

Blitzen Trapper &
Fleet Foxes
07 March 2008
The Beta Bar
Tallahassee, FL

Source: SBD > Nomad JB3 (16/44.1)
Transfer: (usb) > iMac. Tracked via Sound Studio, FLAC via xACT

Blitzen Trapper
1. You’re Such a Big Star
2. Futures & Folly
3. Jericho
4. Godspeed
5. Wild Mount Nation
6. Sci-Fi Kid
7. Country Caravan
8. Devil’s A-Go-Go
9. Shoulder Full of You
10. Miss Spiritual Tramp
11. Cool Love Number One
12. Summer Town
13. Woof & Warp of the Quiet Giant’s Hem
14. Rock Us

Fleet Foxes
1. White Winter Hymnal
2. Your Protector
3. Mykonos
4. Oliver James
5. (Merch Banter)
6. Blue Ridge Mountains

Stevie Ray Vaughan Statue Town Lake

I’ve been listening to and thinking about Stevie Ray Vaughan quite a bit lately. There was a great article in the Austin Chronicle a couple months ago about some recovered early recordings from 1978 which kicked off yet another rediscovery of SRV for me. I’ve got a few live recordings but this show is the best live Stevie Ray that I have in my collection. It will blow your mind if you are a big Stevie Ray fan and turn you into a fan if you aren’t. The Little Wing is bone chilling. I can’t imagine the energy in the air on that summer night at Red Rocks when Stevie Ray Vaughan and Double Trouble blew the place away.

If you’d like a lossless copy, you can download it FLAC here.

Stevie Ray Vaughan and Double Trouble
06/19/85
Red Rocks Amphitheater
Morrison, CO

01. Ain’t Gone ‘n Give Up On Love
02. Pride and Joy
03. Voodoo Chile (Slight Return)
04. Tin Pan Alley
05. Look at Little Sister
06. Texas Flood
07. Come On (Part III)
08. Little Wing
09. Third Stone From The Sun

Big thanks to Flickr user motleypixel for the cc licensed photograph of the Stevie Ray tribute at Lady Bird Lake.

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Dr Dog

Posted by Matt on Sep 12, 2008 in live, mp3, music, radio, video

Dr Dog is playing The Parish on Saturday. To get you pumped for the show, check out this KUT Studio 1 A performance recorded during SXSW 2008. These guys are so cool. I love the Beatles comparison made during the interview which I’m not sure is entirely accurate but they do have a McCartney aesthetic to their songwriting.

Dr Dog

Tags :

I love it when two musicians from completely different musical backgrounds come together and play music. This performance by Sam Bush and Jorma Kaukonen from High Sierra Music Festival on June 30, 2000 could be what influenced Jorma to record Blue Country Heart which is a masterpiece of roots blues and country featuring Jorma, Sam, Bela Fleck, Byron House and Jerry Douglas. The picking in this set is mind blowing and the synergy between Jorma and Sam is amazing. For some of the tunes, Sam plays slide on what he refers to as a ham can which is a National dobro mandolin. Jorma accuses Sam of being a “very disturbed man” for playing such an instrument. The rhetoric between these guys is hilarious. This is one of the favorite live shows in my collection and I hope you find it as much fun as I did. Its a 256kbps MP3 rip of a lossless soundboard and the sound quality is A+. Enjoy!

Jorma Kaukonen & Sam Bush

6/30/00

SBD>Tascam DA-30MKII>digital out>Sek’d Prodif plus soundcard >
Sound Forge>CD Architect>Plextor 8/20

Recording:
Ken “Easy Ed” Edwards
CD Mastering & Seeding:
Ken “Easy Ed” Edwards

01. intro by Wesley Robertson
02. Hesistation Blues
03. the roots of Rock and Roll and Bluegrass
04. Crossroads Blues
05. if you have any questions
06. Sally Where’d You Get Your Liquor From?
07. deeply disturbed
08. How Long Blues
09. my middle name
10. Mann’s Fate
11. favorite Jerry tune
12. Sittin’ on Top of the World
13. (applause)
14. 99 Year Blues

I’ve always loved the vintage aesthetic to this recording. It gives me a good sense of what it might have been like to live in San Francisco during the sixties and bear witness to all sorts of spontaneous musical events. Janis‘ heart wrenching voice is accompanied by the fingerstyle sounds of Jorma Kaukonen on the guitar.

Recorded on June 30, 1964, they call it The Typewriter Tape because you can hear a typewriter in the background played by Margareta Kaukonen (Jorma’s wife at the time) as a percussion instrument. Check it out:

1. Trouble In Mind
2. Long Black Train
3. Kansas City Blues (false start)
4. Kansas City Blues
5. Hesitation Blues
6. (strumming)
7. Nobody Knows You When You’re Down And Out
8. Daddy, Daddy, Daddy

I’ve been wanting to share this bootleg for a long time. The copy that my sister gave to me as a gift years ago is entitled Lonesome Prison Blues. This is Jerry Garcia playing acoustic with John Kahn on the bass in front of a small audience of inmates at the Oregon state penitentiary on 5-5-82.

The recording is decent with only a couple of flaws. Jerry was in great spirits this day and his playing reflects it. Jerry sounds much like he does on Run For The Roses, the last of his solo albums which was recorded around the same time. The Oh Babe It Ain’t No Lie still brings a tear to my eye when I hear it.

Most deadheads will already have this in their collection and if anybody is willing to trade for the lossless soundboard version in circulation I’d love to get a copy. Here is the info from the etree db. As far as I know, this show has never been officially released and is under no copyright restrictions. So sit back, listen and enjoy!

Oregon State Prison, Salem, Or. (5-5-82)

1. Deep Elem Blues 2:30
2. Friend Of The Devil 5:45
3. Jack-A-Roe 4:39
4. Babe, It Ain’t No Lie 6:12
5. It Takes A Lot To Laugh, It Takes A Train To Cry 5:33
6. Run For The Roses 3:45
7. Ripple 4:20
8. I’ve Been All Around This World 4:06
9. Valerie 6:32
10. Dire Wolf 3:43
11. Rubin And Cherise 5:50

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Free Downloads On Dead.net

Posted by Matt on Dec 6, 2006 in mp3, music

I was a little nervous when I heard that Rhino records was going to replace Grateful Dead Productions.  I had a feeling that they were going to try and squeeze every little penny of profit out of one of the most important musical archives of all time.  This still remains to be seen, but I feel a little bit better about it after checking out the new Dead.net.  They have a new feature called the Tapers Section which is updated weekly with free mp3 downloads and bits of information.  Its sort of a “this week in Grateful Dead” thing.  Its great to see Rhino embracing the Dead community and giving a little something for free.  I’m looking forward to future enhancements to the site which I plan on visiting weekly for my free downloads!  Here is the skinny:

Welcome to the Tapers Section.

In this space, every Monday, you will find information on the recorded history of the Grateful Dead’s music as it pertains to that week, specifically focusing on the shows for that week, through the band’s 30 year performing history, that reside in the Grateful Dead’s storied tape vault. Although not everything is in there, with more than 1,600 of the band’s 2,400-odd shows represented, there is plenty about which to talk. Check back weekly for new entries and insight into the vault, as well as exclusive audio clips relating to that week in the Grateful Dead’s recorded history.”

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David Crosby 1970 Session Outtakes

Posted by Matt on Jul 6, 2006 in mp3, music, outtakes

Aquarium Drunkard has posted the outtakes from the David Crosby album If I Could Only Remember My Name. Not sure where he gets these things but he sure does deliver the goods! Here’s an excerpt from the post where you can grab the mp3s:

One of my favorite LP’s from the early ’70s is David Crosby’s underrated masterpiece “If I Could Only Remember My Name?” A fully realized embodiment of the “sound” of California’s folk/rock/country/psychedelia movement of the time, the album features such players as Neil Young, Jerry Garcia, Joni Mitchell, Phil Lesh, etc., etc. Almost as good as the album (and just, if not more interesting) are these outtakes from the 1970 sessions. These tracks are further proof that Crosby was an artistic force to be reckoned with at his creative peak.”

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Vince Welnick: You will be deeply missed.

Posted by Matt on Jun 8, 2006 in mp3, music

Vince Welnick PhotographThe Grateful Dead community suffered a great loss on June 2 when their keyboard player from 1990 to 1995, Vince Welnick took his life. Vince was an incredibly talented musician that filled some huge shoes for the Grateful Dead after Brent Midland passed in 1990. Not only did Vince fill those shoes, but he brought his own creative touch to the music. Songs like Samba in the Rain and Long Way To Go Home were some of my favorite jams of the 90’s era Grateful Dead. He added alot to the Dead’s sound both instumentally and vocally.

I feel especially close to Vince because he was the only keyboard player I got to see with the Dead (the only shows I was lucky enough to participate in were 3-4-94 and 3-5-94). I remember seeing him behind those keys over on the right side of the stage just wailing like some musical God. In fact, I think that the creative energy that Vince brought to the Dead made it possible for them to make it through those last five years. It was a very hit and miss era for the Dead. Many shows, especially the 1995 shows bring a tear to my eye to hear because Jerry was just off so much of the time. But there was still a silver lining. Just listen to that last show at soldier field (7-9-1995) or the two I mentioned above and you will hear a Grateful Dead that is on, thanks in large part to Vince Welnick. We will miss you brother Vinnie!

I’ve been wating a few days to chime in on this because I’ve had many mixed emotions about it. Vince’s webmaster posted this message on his website calling out the existing members of the Dead, shaming them for their treatment of Vince. About 6 months after Jerry Garcia checked out, Vince tried to take his life on the Rat Dog tour bus (here is a Relix interview from 2003 in which Vince talks about it), an incident which resulted in Vince’s excommunication from the Grateful Dead family. Vince was not invited to any of the family reunion shows or any of the various formations of the surviving members of the Grateful Dead. This took its toll on him as he deeply desired to be part of the scene. Bob Weir, Phil Lesh, Mickey Hart, and Bill Kreutzmann should be ashamed of the way they treated their brother. Abandonment is painful and takes is a very hard pill to swallow. Sometimes when people deserve friendship the least, they need it the most. Vince suffered from clinical depression which is a very tragic and painful condition for people who have it as well as their loved ones. John Perry Barlow had a great Eulogy for Vince. Barlow made a comment about clinical depression which really moved me:

“Fighting clinical depression is inevitably a lonely struggle. What could be less conducive to compassion than a disease that make you whine? Laymen and loved ones tell you to get a grip. They make you feel ashamed to be sick. Even if they’re more enlightened about the disease, they can’t help but harbor a secret, naturally human, belief that you are suffering a failure of will rather than biochemistry. Meanwhile, the doctors consider little but the neuro-soup and turn you into a shambling medical experiment, testing pharmaceutical nostrums on you that are as blunt as the mind is subtle, though just as unpredictable. But, for you, life just trudges on. It remains, despite whatever visible signs of well-being - wonderful spouse, great kids, well-located house, etc. - a purgatory of uselessness, barren of joy and meaning. Love, incoming or out-going, becomes something you think, not feel.”

Its easy to discount people who commit suicide and cheapen their legacy, but its not fair. Nobody ever condemns a cancer patient for dying and nobody should condemn a mental illness patient for dying either.

With all that said, I will still go to Rat Dog and Phil and Friends shows. I will still purchase live Dead shows and I still have a great appreciation for all the joy and happiness that these guys have brought to me. The sum of the good that these guys have done in this world far far outways the bad. For myself and many other Deadheads, this music has helped us triumph through hard times in life. The problem that people have is that they hold the human members of the Dead to all of the hippy ideals of the 60s (love, peace, happiness, etc…) in a world where those ideals were never realized. There isn’t a person on this planet that hasn’t been an ass at times. Its not a black and white issue, you can’t just slap a good/bad guy label on people, we are so much more complicated beings than that.
So please download some Missing Man Formation and other music that Vince created and remember him for what he was: a musical geneous!

Here are some mp3s David Gans posted from the KPFA studios in 1999:
What’s Your Name?
Emperor’s Suit
A Day in the Life
Cosmic Charlie

Peace be with you Vince, say hi to Jerry for me!